Batik Kraton
Batik originated from Javanese language "amba", meaning to write and "point". word batik refers to the cloth with a pattern generated by the material "night" is applied to the fabric to resist the entry of the dye. From the time of the Hindu Mataram kingdom until after the introduction of religion into the island of Java, since the arrival of Indian traders, Chinese, Arab, which was followed by merchants from Europe, since the founding of the Islamic Mataram kingdom in perjalanananannya raises palace of Yogyakarta and Surakarta, batik has come the style and color that can describe the age and the birth environment.
Batik is historically derived from the days of our fathers, known since the seventeenth century, written and painted on palm leaves. At that time batik motif or pattern is still dominated by the shapes of animals and plants. In the history of batik development progressed, the motifs of the paintings of animals and plants slowly turned to a cloud-like abstract Motik, temple reliefs, puppet beber and so on.
White fabric that is used when it is the result of homespun. Coloring materials are being used consists of plants native to Indonesia, among others, made their own from the noni tree, tall, Soga, indigo and material made from soda ash soda, and salt is made of mud.
Batik crafts is, in Indonesia has been known since the time of the Majapahit Empire and continues to evolve to the next kingdom. As for starting the spread of this batik art belongs to the people of Indonesia and Java in particular tribe is after the end of the eighteenth century or early nineteenth century. Produced batik batik is all up to the beginning of the twentieth century. And printed batik is known after the war new world of unity, or about 1920.
Batik art is art image on the cloth for clothing that was one of a family culture of the kings of ancient Indonesia. Batik was originally done only limited in the palace alone and proceeds to dress the king and his family and his followers. As many followers of the king who lived outside the palace, the art of batik was brought by the palace and carried them out in their respective places.
History of the Motif Batik Palace
The existence of Yogyakarta batik course is inseparable from the history of the founding of the Islamic kingdom of Mataram by Panembahan Senopati. After moving to the center of the kingdom of Mataram Demak, he often meditated on along the coast of Java, among others Parangkusuma to Dlepih Gupito Parang, browse the Thousand Mountains cliff that looks like "Pereng" or cliff line. As the king of Java, which of course is to master the art, it inspired him to create a state where the slope or parang batik pattern, which is characteristic ageman (clothing) Mataram which is different from previous batik patterns. Because the creator is the founder king of Mataram kingdom, then by his descendants, the patterns of these knives should only be worn by the king and his descendants in the palace. Motif ban declared by the lane I in 1785. Batik patterns which include a ban include: Parang Barong Damaged, Damaged Gendreh Parang, Parang Klithik, Cement Gedhe Gurdha Sawat, Sawat Gedhe Cement lar, Udan lyrical, Rujak Senthe, and machete-motif parangan the same size as the broken sword.
Since the agreement in 1755 that gave birth Giyanti Kasunanan Surakarta and Yogyakarta Sultanate, all kinds of high fashion layout including the batik, handed over entirely by the Sultan of Yogyakarta Kraton Surakarta. This is what makes the palace of Yogyakarta to be the center of cultural development, including the treasures of batik. If batik in Surakarta experience a variety of innovations, but the fact remains pakemnya motif batik originated in the Sultan's Palace.
Traditional batik in the Sultanate of Yogyakarta has the typical appearance of a striking white background clean. Geometric patterns are very distinctive palace of Yogyakarta Sultanate, were large and some of them were enriched with a machete and nitik. Meanwhile, at Puro Pakualaman batik is batik patterns blend Atara palace of Yogyakarta Sultanate of Surakarta palace and batik colors. This blend began a close family relationship between Puro Pakualaman with Kraton Surakarta when Sri Paku Alam VII marry the daughter of His Majesty Sri Pakubuwono X. Surakarta Palace Princess is what gives the color and feel of the batik Pakualaman Surakarta, until eventually a combination of both. Two well-known batik patterns from the pattern of Puro Pakulaman Varuna famous temple since before 1920 and which is the creation Manyuro Peksi Notoadisuryo RM. While the Sultanate is renowned batik patterns, among others Ceplok Kedaton Blah, Kawung, Tambal nitik, Parang Stars Goods Leider and so on.
writing can be read also in http://abduh1.blogspot.com
source: http://www.rri.co.id/index.php?option=com_content&view=article&id=6422:batik&catid=122:budaya
Batik is historically derived from the days of our fathers, known since the seventeenth century, written and painted on palm leaves. At that time batik motif or pattern is still dominated by the shapes of animals and plants. In the history of batik development progressed, the motifs of the paintings of animals and plants slowly turned to a cloud-like abstract Motik, temple reliefs, puppet beber and so on.
White fabric that is used when it is the result of homespun. Coloring materials are being used consists of plants native to Indonesia, among others, made their own from the noni tree, tall, Soga, indigo and material made from soda ash soda, and salt is made of mud.
Batik crafts is, in Indonesia has been known since the time of the Majapahit Empire and continues to evolve to the next kingdom. As for starting the spread of this batik art belongs to the people of Indonesia and Java in particular tribe is after the end of the eighteenth century or early nineteenth century. Produced batik batik is all up to the beginning of the twentieth century. And printed batik is known after the war new world of unity, or about 1920.
Batik art is art image on the cloth for clothing that was one of a family culture of the kings of ancient Indonesia. Batik was originally done only limited in the palace alone and proceeds to dress the king and his family and his followers. As many followers of the king who lived outside the palace, the art of batik was brought by the palace and carried them out in their respective places.
History of the Motif Batik Palace
The existence of Yogyakarta batik course is inseparable from the history of the founding of the Islamic kingdom of Mataram by Panembahan Senopati. After moving to the center of the kingdom of Mataram Demak, he often meditated on along the coast of Java, among others Parangkusuma to Dlepih Gupito Parang, browse the Thousand Mountains cliff that looks like "Pereng" or cliff line. As the king of Java, which of course is to master the art, it inspired him to create a state where the slope or parang batik pattern, which is characteristic ageman (clothing) Mataram which is different from previous batik patterns. Because the creator is the founder king of Mataram kingdom, then by his descendants, the patterns of these knives should only be worn by the king and his descendants in the palace. Motif ban declared by the lane I in 1785. Batik patterns which include a ban include: Parang Barong Damaged, Damaged Gendreh Parang, Parang Klithik, Cement Gedhe Gurdha Sawat, Sawat Gedhe Cement lar, Udan lyrical, Rujak Senthe, and machete-motif parangan the same size as the broken sword.
Since the agreement in 1755 that gave birth Giyanti Kasunanan Surakarta and Yogyakarta Sultanate, all kinds of high fashion layout including the batik, handed over entirely by the Sultan of Yogyakarta Kraton Surakarta. This is what makes the palace of Yogyakarta to be the center of cultural development, including the treasures of batik. If batik in Surakarta experience a variety of innovations, but the fact remains pakemnya motif batik originated in the Sultan's Palace.
Traditional batik in the Sultanate of Yogyakarta has the typical appearance of a striking white background clean. Geometric patterns are very distinctive palace of Yogyakarta Sultanate, were large and some of them were enriched with a machete and nitik. Meanwhile, at Puro Pakualaman batik is batik patterns blend Atara palace of Yogyakarta Sultanate of Surakarta palace and batik colors. This blend began a close family relationship between Puro Pakualaman with Kraton Surakarta when Sri Paku Alam VII marry the daughter of His Majesty Sri Pakubuwono X. Surakarta Palace Princess is what gives the color and feel of the batik Pakualaman Surakarta, until eventually a combination of both. Two well-known batik patterns from the pattern of Puro Pakulaman Varuna famous temple since before 1920 and which is the creation Manyuro Peksi Notoadisuryo RM. While the Sultanate is renowned batik patterns, among others Ceplok Kedaton Blah, Kawung, Tambal nitik, Parang Stars Goods Leider and so on.
writing can be read also in http://abduh1.blogspot.com
source: http://www.rri.co.id/index.php?option=com_content&view=article&id=6422:batik&catid=122:budaya
Yogyakarta is rich in culture one is batik
Objek Wisata Batik Di Yogyakarta